● On view now — Gallery 218
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
In the late 18th century, the French Academy promoted a severely Classical approach to history painting as a means to regenerate art—and in contrast to the perceived decadence of the Rococo style. Jacques-Louis David and his students were leading exponents of this Neoclassical approach, treating antique subjects as moral exemplars for contemporary audiences. Here, David’s student Jean-Baptiste Wicar depicted the response of the Roman emperor Augustus and his family to Virgil’s reading of his epic poem the Aeneid, which tells the story of Aeneas, the Trojan prince who settled in Latium after many adventures and was viewed as an ancestor of Augustus. The emotionally charged gestures of Augustus and his sister Octavia suggest that they identify their own family drama with the heroic events recounted by Virgil.
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Pierre Paul Prud'hon|Charles Pompée Le Boulanger de Boisfrém
Jacques Louis David — The Death of Socrates
Louis Moritz — The Mortally wounded Mark Anthony with Cleopa
Stefano Pozzi — Antiochus Yearning for Stratonice
Jean-Auguste-Dominique Ingres (French, 1780–1867) — Antiochu
Fulchran Jean Harriet (French, 1778–1805) — Oedipus at Colon
Anne-Louis Girodet de Roucy-Trioson (French, 1767–1824) — Th
Gerard de Lairesse — Cleopatra’s Banquet
Louis Moritz — De actrices Joanna Cornelia Ziesenis-Wattier
Nathaniel Dance-Holland|Thomas Watson|Thomas Watson|William
Angelica Kauffmann — The Sorrow of Telemachus
Joannes Echarius Carolus Alberti — Proculeius Preventing Cle