Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Gouache views of Paris were very popular in the 1780s, and color prints emulating them became highly marketable. This rare proof is one of the most expensive of such views offered at the height of the market, in 1784.
Be the first to share your thoughts.
Sign in to join the discussion.
Port de St. Paul, Paris
View of the Tuileries, the Louvre and the Pont Neuf
Vue de Schadau sur le Lac de Thun
Finding Virginie's Body, plate 5 from Paul et Virginie
Vue du Schild-Wald-Bach, Prise Enhiver
The Departure, plate 4 from Paul et Virginie
The Night, plate 1 from Paul et Virginie
The Fugitive Slave, plate 2 from Paul et Virginie
Charles Meryon (French, 1821–1868) — The Pavillon de Mademoi
Daniel Havell — Paris, Notre Dame prise de L'Ile Louvier
Charles Meryon|Victor Jean Nicolle — Le Pont-au-Change vers
Edmond Gosselin (French) — Le Pont-au-change, Paris, vers 17
John Gendall — Paris, Le Pont-au-Change
Charles Meryon (French, 1821–1868) — The Exchange Bridge, Pa
Thomas Girtin — View of the City with the Louvre, etc., take
Samuel Scott — The Building of Westminster Bridge
Joseph C. Maillet|Joseph Vernet — Bridge in Rome
Charles Meryon — Pont-au-Change, Paris, about 1784
Thomas Girtin (British, 1775–1802) — A Selection of Twenty o
James Craig Annan — Trongate in the Olden Time