Manufacture nationale de Sèvres
Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Beginning in the mid-1750s, biscuit, or unglazed porcelain, replaced glazed porcelain in sculpture because fine details were sometimes obscured by glazes. In addition, the matte surface of biscuit pieces resembled marble, a medium favored in sculpture. Unglazed porcelain figures were often sold with dinner services, and, as such, they replaced fragile sugar figures, which had adorned dessert tables of the previous era.
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Italy — Boy with Two Birds
Höchster Porzellanmanufaktur GmbH — The Welcome Cupid
Meissen Porcelain Manufactory — Farm Group of Three Figures
Meissen Porcelain Manufactory — Winter
Jean-Jacques Louis — Figure of a Butcher
Tournai Porcelain Manufactory — Boy Playing Flute
Königliche Porzellan-Manufaktur Berlin — Punch Bowl
Naselmeyer Naselmeyer — Group: Hunters or Lovers
Buen Retiro Porcelain Factory — Allegorical Figure Group: Th
Staffordshire Potteries — Chimney Ornament: Baptism of Mary
Pierre François Lejeune — Figural Group
Staffordshire Potteries — Chimney Ornament: Wedding