● On view now — 100 1916 Lobby
Cleveland Museum of Art, Cleveland · verified July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Because of his simplicity, piety, and devotion to all living creatures, Saint Francis (1181–1226) has remained among the most revered and popular saints. Born to wealthy parents in Assisi, he first lived a life of spendthrift luxury. However, Francis later gave up all worldly goods and embraced an existence of utter poverty. Throughout his adult life, the saint experienced mystical trances and visions of Christ. Atop the cross here is a leafy tree and a nest of pelicans. Fifteenth-century viewers would have recognized the tree as a reference to the cross, which is often described as a tree, symbolizing Christ's role as the source of eternal life. The pelican, shown nourishing its young with its own blood, symbolizes Christ, who sacrifices himself for the salvation of mankind. This painting was the center pinnacle on the back of a double-sided altarpiece made for the church of San Francesco in Borgo Sansepolcro (near Arezzo).
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Rogier van der Weyden (Flemish, c. 1399–1464) — The Crucifix
Christus aan het kruis, met Maria en Johannes
Delli brothers — Christ at the Column
Jean de Beaumetz (French, c. 1335–1396) — Calvary with a Car
Crucifixion
De kruisiging
Lorenzo Monaco — Processional Cross with Saint Mary Magdalen
Follower of the Master of Saint Veronica — Christ on the Liv
Francescuccio Ghissi — The Crucifixion
Laurent Girardin (French, 1478) — The Trinity
Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia)
Giovanni da Milano — Christus aan het kruis