● On view now — Gallery 132
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
The mirror in ancient China, usually held by hand with a cord, was a thin bronze disk with one face polished to a reflective sheen. The backs of mirrors were cast with elegant and dynamic designs that often reflect then-contemporary textile designs. The ground of interlocking T's on this mirror is known from textile finds as well as from impressions of deteriorated fabrics preserved in the surface corrosion of bronzes. Superimposed on, and contrasting with, this rectangular ground are flowing dragon- and bird-headed figures reminiscent of those seen in embroidered designs. The interplay of lines and curves is characteristic of the decorative art of the third and second centuries B.C.
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China
probably from Hunan province — Mirror with Dragon Ara
China
probably from Zhejiang province — Mirror with Images
Teotihuacan — Mirror with Jaguar or Coyote Mosaic
Ancient Greek — Phiale (Shallow Bowl for Pouring Ritual Liba
Ancient Etruscan — Hand Mirror
South German; probably Augsburg — Targe (Shield)
Islamic — Serving Bowl with Miniature Figures, Arabic Blessi
Chimú — Pair of Ear Spools
Italian — Fencing Buckler
South Netherlandish or German — Plate with a Seated Woman
Vietnam — Bowl with Green Glaze
Flemish or English — Targe (Shield)