Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Around the time of the Civil War, cartes de visite—small, inexpensive studio portraits—became extremely popular among middle-class Americans. Cartes were traded, kept in albums, and occasionally cut and pasted to form personalized collages. This is an unusual example of a portrait collage in that it implies a family tree, with layers of photographs clustered at the bottom and hierarchical rows at the top. It is possible that the composition focuses on a Union soldier, his commanding officers, and his family. If so, the work represents a transition from textual record keeping, such as lists of births and deaths, to a new visual narrative of family history, whether kept in an album or framed on the wall.
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Marie-Blanche Hennelle Fournier — The Madame B Album
Marie-Blanche Hennelle Fournier — The Madame B Album
Marie-Blanche Hennelle Fournier — The Madame B Album
Marie-Blanche Hennelle Fournier — The Madame B Album
Artist unknown — Untitled
Ashford Brothers & Co. — Upwards of Five Hundred Photographi
Unknown maker
American, 19th century — Untitled (Group Portr
Marie-Blanche Hennelle Fournier — The Madame B Album
English family of seven
Southworth & Hawes — Untitled (Portrait of Three Children)
Marie-Blanche Hennelle Fournier — The Madame B Album
Marie-Blanche Hennelle Fournier — The Madame B Album