Giuseppe Porta, called Giuseppe Salviati
Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Between 1562 and 1566, Salviati was in Rome working on a commission for two large frescoes in the Sala Regia, a formal reception hall in the Vatican. This sheet is a single-figure study for the first of these, which depicts the peace treaty that Pope Alexander III and Holy Roman Emperor Frederick Barbarossa reached in Venice in 1177. The corresponding painted figure can be seen in the large crowd at right in the fresco. An example of the artist’s mature draftsmanship, the drawing demonstrates a range of techniques, from the carefully modeled face and the crumpled pleats of the sleeve to the delicate black chalk of the figure’s beard.
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Paolo Veronese (Paolo Caliari)|School of Paolo Veronese — He
Follower of Guercino — Male Caricature
Circle of Carlo Maratti — Apostle (recto); Standing Female F
Antonio da Correggio — St. Benedict Gesturing to the Left: S
Cigoli — Head of a Bearded Man, Looking Up to Right: Study f
Bartolomeo Passarotti — Half-Length Sketch of a Gentleman We
Alessandro Turchi — Saint Florian
Alphonse Legros — Head of a Gamekeeper
Jan Lievens — Bust of a Man with a Fur Cap
Gustave François Morin — Staande man met beeldje
Anthony van Dyck — Jan Brueghel the Elder
Vincenzo Dandini — Figure with Arms Tied Behind His Back