Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
In this deeply engraved, drawinglike print, Christ strides over the demolished gates of hell, carrying a victory standard. On the right, Adam and Eve are seen with their righteous son Abel, while Cain has been left in hell for murdering his brother. The demons that represent the torments of hell herald Christ’s arrival. These devils, with their scales and reptilian tails, resemble dragons, and have elflike ears. They seem to be flying, one of them distractedly doing acrobatic tricks instead of blowing his horn.
Be the first to share your thoughts.
Sign in to join the discussion.
Andrea Mantegna (Italian, about 1431–1506) — Descent into Li
Giovanni Antonio da Brescia (Italian) — Descent into Limbo
Mario Cartaro|Andrea Mantegna — Christ descending into Limbo
Albrecht Dürer — Harrowing of Hell; Christ in Limbo, from Th
Giovanni Antonio da Brescia (Italian) — Allegory of the Fall
Albrecht Dürer — Christ in Limbo, from "The Passion"
Albrecht Dürer — Christ in Limbo, from "The Passion"
Albrecht Dürer — Christ in Limbo, from "The Passion"
Albrecht Dürer (German, 1471–1528) — Christ in Limbo
School of Andrea Mantegna — The Flagellation of Christ, with
The Descent into Limbo
Giovanni Antonio da Brescia — The Flagellation