Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Calvert was so influenced by William Blake's wood engravings that The Sheep of His Pasture is directly based on an illustration for The Pastorals of Virgil . Calvert, however, even more than Blake, exploited the ability of wood engraving to achieve the most delicate detail, so astonishing in these miniatures. Calvert's subject matter originated from a vision of the golden age of pastoral innocence and abundance that has both Christian and classical overtones. The women in The Brook resemble figures carved on antique gems, and the tree stumps symbolize the transitory nature of life.
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Edward Calvert — The Sheep of this Pasture
Frederick Landseer Maur Griggs (British, 1876–1938) — The Cr
Virgil|William Blake|Robert John Thornton — Sabrina's Silver
Alphonse Legros (French, 1837–1911) — Landscape with a Pond
William Blake — Sabrina's Silvery Flood, from The Pastorals
Pierre Louis Gatier (French, 1878–1944) — Brebant Farm
Charles François Daubigny (French, 1817–1878) — The Large Sh
Charles François Daubigny (French, 1817–1878) — The Hydrauli
Philip Gilbert Hamerton (British, 1834–1894) — The Lake
Hendrick Goltzius — Landscape with a Farmhouse
Auguste Louis Lepère (French, 1849–1918) — Angers: L'Étang
Peter Moran (American, 1841–1914) — The Pool