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Honoré-Victorin Daumier

View Taken in a Studio a Few Ways before the Opening of the Exhibition, plate 3 from L'exposition Universelle

1855
Lithograph in black on white wove paper
19.4 × 25.1 cm (7.6 × 9.9 in)

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In the collection of Art Institute of Chicago, Chicago · as of July 2026

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Two LawyersTwo LawyersThe Print CollectorThe Print CollectorExploiting friendship. “My dear Alphonse, I've invited these gentlemen, my friends, to dine at your home. I would like them to taste our champagne, we'll laugh... wait a minute! I've an idea. What if we went to the wood? We could take your barouche and you could lend us some clothes as we only came to pay a simple visite... In the meantime, why don't you give us some cards and some Napoleons to pass the time. Eh? My good Alphonse, dear chap. How about it?,” plate 58 from CaricaturanaExploiting friendship. “My dear Alphonse, I've invited theseRobert: “- Well, well! My dear director... how's business?” Bertrand: “- Good, very good, I am quite content. Unfortunately we don't have a penny to continue! - Oh blast! - But an investor still owes us 200,000 Francs... and will come up for signature either tonight or latest tomorrow morning. - About time... I urgently need a new pair of boots,” plate 6 from Robert MacaireRobert: “- Well, well! My dear director... how's business?” Mr. Prune, plate 288 from Célébrités de la CaricatureMr. Prune, plate 288 from Célébrités de la Caricature“God! How I loved that fellow there!,” plate 16 from Caricatures Politiques“God! How I loved that fellow there!,” plate 16 from CaricatA Victim of His Own Politeness, plate 7 from Croquis MusicauxA Victim of His Own Politeness, plate 7 from Croquis MusicauA Candidate. “Who do you want?... An upright, conscientious, sober man, an industrialist, a man who doesn't need the government to enrich himself, a man familiar with the law, who knows it well, through practice, very long practice... a long practice of law... you can't choose any better than... my honorable friend,” plate 48 from CaricaturanaA Candidate. “Who do you want?... An upright, conscientious,

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Le Charivari newspaper, July 14, 1869: Monsieur, I am bound to advise you that they are in the process of verifying Monsieur and that this seems to be taking a curious turn, from 'News of the day'Destouches|Honoré Daumier|Arnaud de Vresse — Le Charivari neSo, what do you think... will it be difficult getting a good price for this sketch?, from 'The artists,' published in Le Charivari, January 19, 1865Honoré Daumier|Aaron Martinet|Destouches — So, what do you tWhat the bourgeois calls a slight distraction, from 'The good bourgeois,' published in "Le Charivari"Honoré Daumier|Aubert et Cie|Aubert et Cie — What the bourgeMaudit propriétaire..., tu seras donc cause de tous mes maux..., from L'Exposition de 1859, published in Le Charivari, April 26, 1859Aaron Martinet|Honoré Daumier|Destouches — Maudit propriétaiMon cheri ami, tu vois..., j'étais né pour être marquis..., from Les Comédiens de Société, published in Le Charivari, April 9, 1858Aaron Martinet|Destouches|Honoré Daumier — Mon cheri ami, tuWhat the bourgeois calls a slight distractionHonoré Daumier (French, 1808–1879) — What the bourgeois callMr. Vautour: –Je ne saurais trop..., from Locataires et Propriétaires, published in Le Charivari, October 20, 1856Aaron Martinet|Honoré Daumier|Destouches — Mr. Vautour: –Je LES ACTIONNAIRES DU GREAT-EASTERN...., from En Italie, published in Le Charivari, November 21, 1859Destouches|Aaron Martinet|Honoré Daumier — LES ACTIONNAIRES Le Restaurant de L'Exposition, from Le Salon de 1857, published in "Le Charivari"Aaron Martinet|Honoré Daumier|Destouches — Le Restaurant de Plate 47: Stockbroker at the close of the day, from 'Caricaturana,' published in Les Robert MacairesCharles Philipon|Honoré Daumier|Aubert et Cie|Aubert et Cie|The deputies on leave. Dreaming that they will not be re-elected, from 'News of the day,' published in Le Charivari, September 9, 1868Honoré Daumier|Destouches|Arnaud de Vresse — The deputies onThe landscape painters, the first copies nature, the second copies the first, from 'The artists,' published in Le Charivari, May 12, 1865Aaron Martinet|Honoré Daumier|Destouches — The landscape pai