Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Schongauer may have produced his ten heraldic shields in roundels as family crests for the middle classes rather than the nobility. The partially blank areas of the shields and the fanciful figures holding them suggest that the works were not exclusively made for families of high standing but could have been purchased individually and filled in with other family emblems to be used more widely. The depiction of this forest-dwelling wild man, wreathed in vines and clothed only in his own hair, alludes to a simpler time before the advent of civilization, when men were free to indulge all their appetites.
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Marcantonio Raimondi — A satyr about to remove drapery cover
Heinrich Aldegrever — Ornamental Design with a Couple of Sat
Hans Burgkmair — Samson Killing the Lion
Barthel Beham — Ornament with a Male Half-Length Between Two
George Richmond — The Fatal Bellman
Daniel Hopfer, I — Adam
Heinrich Aldegrever — Panel with Grotesque Candelabrum Conta
Etienne Delaune (French, 1518/19-c. 1583) — Combats and Triu
Sebald Beham — Wallpaper with Satyr Family
Hans Sebald Beham — Ornament with a Mask Held by Two Genii
Robert Boissard — Hercules, plate 16 from Parnassus Biceps
Anonymous, Italian, 16th to early 17th century|Marco Dente —