Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Delacroix frequently depicted wild horses, often as the unwilling prey of larger animals. The British artist George Stubbs (1724–1806) was a likely inspiration for these works, as his printed portraits of horses in dark settings and bleak situations were well known in France. Delacroix’s sizable, atmospheric lithograph leaves much to the viewer’s imagination. We cannot see the reason for the horse’s fright, but feel its powerful urge to escape. This chilling image touches on all the hallmarks of the Romantic movement and reflects Delacroix’s preoccupation with images of suffering, insanity, violence, and imminent death.
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Eugène Delacroix (French, 1798–1863) — The Wild Horse, or Fr
Louis-Pierre-Marie Courtin — Prancing Horse
Henri de Toulouse-Lautrec — Philibert the Pony
Eugène Delacroix (French, 1798–1863) — The Wild Horse, or Fr
Odilon Redon — The Charger
John-Lewis Brown — L'Écurie
Odilon Redon — The Charger
Odilon Redon — The Charger
Odilon Redon — The Charger
Théodore Gericault — Dappled Horse
Edvard Munch — Galloping Horse
Odilon Redon — There Were Struggles and Vain Victories, plat