Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Girtin, along with his rival J. M. W. Turner, extended the technical possibilities of watercolor and in doing so demonstrated that watercolors could have the visual impact of oils. His reduction of landscape to simple and monumental forms, his panoramic compositions, and his sensitivity to natural effects, such as cloud formations, influenced subsequent generations of watercolor painters. Anxious to take advantage of the Peace of Amiens (October 1, 1801), Girtin went to Paris to see the artistic treasures brought back from Italy by Napoleon and installed in the Louvre. He made graphite sketches of the city and its environs and upon his return to London made etchings based on his drawings. Girtin died of tuberculosis shortly thereafter, and the series was published by his widow and brother.
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Lindisfarne Castle, Holy Island, Northumberland
Deer in Windsor Forest
A Selection of Twenty of the Most Picturesque Views in Paris
A Selection of Twenty of the Most Picturesque Views in Paris
Tynemouth, Northumberland
A Selection of Twenty of the Most Picturesque Views in Paris
A Selection of Twenty of the Most Picturesque Views in Paris
A Selection of Twenty of the Most Picturesque Views in Paris
John Robert Cozens (British, 1752–1797) — Italian Landscape
Gabriel Perelle (French, c. 1603–1677) — River Scene
Léon Bonvin (French, 1834–1866) — Landscape Near Paris
Joseph Mallord William Turner|Charles Turner — The Bridge in
Jean Jacques de Boissieu — View of the Madrid Castle, near P
David Lucas|John Constable — A Summerland
Maxime Lalanne (French, 1827–1886) — At Neuilly (Seine)
Eugène Isabey (French, 1803–1886) — Église de St. Nectaire
David Lucas|John Constable — A Summerland
Maxime Lalanne (French, 1827–1886) — View from the Viaduct a
Adrian Zingg — View of Bad Schandau at the River Elbe with t
Charles Meryon (French, 1821–1868) — The Pavillon de Mademoi