● On view now — Gallery 204
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
This ornamental image consisting of loosely connected motifs is part of a series of four grotteschi . The grotesque style became popular in Rome in the late 15th century. Its name comes from the word grotto , used to describe the wall decorations on the Golden House of the Roman emperor Nero, which had only recently been rediscovered underground. This work combines symbols of warfare and triumph. Mars, the Roman god of war, is crowned with wreaths by winged Victories. Captives, armor, and satyrs also decorate the sheet.
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The Nativity and the Adoration of the Shepherds
The Nativity and Adoration of the Shepherds
A man carrying sack striding to the left
Vulcan seated forging Cupid's wing
Three Stags, sitting in the ground, buildings in background
The Fate of the Evil Tongue
Orpheus and the Judgment of Paris
Apelles standing profile looking at a tablet of geometric fi
Nicoletto da Modena (Italian, active c. 1500–1520) — Ornamen
Nicoletto da Modena (Italian, active c. 1500–1520) — Ornamen
Nicoletto da Modena (Italian, active c. 1500–1520) — Ornamen
Jacques Androuet Du Cerceau|Nicoletto da Modena — Grotesque
Daniel Hopfer, I — Ornament with Arabesques
Giovanni Antonio da Brescia — Griffins and Two Cupids Crossi
Nicoletto da Modena (Italian, active c. 1500–1520) — Orpheus
Nicoletto da Modena (Italian, active c. 1500–1520) — Panel o
Anonymous, Italian, 16th to early 17th century|Agostino Vene
Agostino Veneziano (Agostino dei Musi) — Ornamental Panel
Jacques Androuet Du Cerceau — Panel of Grotesques
Agostino Veneziano (Agostino dei Musi)|Raphael (Raffaello Sa