Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Arabesques (decorations with curves and tendrils inspired by plant forms) were in vogue in 18th-century France. Watteau (1684-1721) produced arabesques for the ornamentation of walls, paneling, furniture, and ceilings. He depicted popular motifs, such as the elegant courtship in an idyllic outdoor setting pictured in The Gallant, shown nearby, or as in Columbine and Harlequin, two characters from productions of the Commedia dell'arte, an Italian comic theater. Watteau launched a trend for the exotic scenes found on imported Chinese porcelains and lacquer ware about 1707. The parasol in The Gallant, and the Asian face that smiles down from the top of Columbine and Harlequin, are examples of chinoiserie, the playful imitation of Chinese art.
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Ontwerp voor een lambrisering met kinderen in een tuin
Portrait of Jean-Féry Rebel, Composer to the King
Ontwerp voor lambrisering met kinderen bij een fontein
The Country Bagpipe
Feste Bacchique, plate 97 from " L'Oeuvre d'Antoine Watteau"
The Favorite of Flora, Arabesque
The Monkeys of Mars
Le Frileux, Arabesque
Jean Moyreau — Feste Bacchique, plate 97 from " L'Oeuvre d'A
Pierre Aveline — Le May, plate 100 from " L'Oeuvre d'Antoine
Benoit II Audran (French, 1700–1772) — The Gallant
Pierre Alexandre Aveline (French, 1710–1760) — The Coaxer, A
Louis Crépy (French) — Pastoral, Arabesque
Louis Crépy, Jr. — Screen of Six Sheets (311 & 312)
Francesco Bartolozzi — Advertisement for Memento, Inventions
Carlo Borrelli (Ponticelli) — Design for a Sculptured Frame
Claude Gillot — Design for an Arabesque with Cupid and Psych
François Boucher (French, 1703–1770) — The Proposal
Gabriel Huquier (French, 1695–1772) — The Goddess, Diana on
Anonymous, Italian, early 19th century — Design for an Inter