● On view now — Gallery 273
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
During the last decade of his life, John Henry Twachtman frequently painted views of the landscape surrounding his home in Greenwich, Connecticut. In a departure from typically barren images of winter, he enjoyed depicting the beauty of the frozen terrain, believing that it was conducive to contemplation and regeneration. The dense layers of paint in Icebound mimic the accumulation of snow on frozen ground, and the sinuous curves that define the snow and ice against the water suggest movement in an otherwise tranquil environment. Almost square in format, the painting’s harmonious composition exemplifies Twachtman’s opinion that “never is nature more lovely than when it is snowing.”
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Louis Apol — An Afternoon view of Snowy Woods
John Semon (American, 1852–1917) — Edge of the Woods
Eugène-Emmanuel Viollet-le-Duc — View Above Handeck, Switzer
Gustave Courbet — A Brook in the Forest
Frits Thaulow — Melting Snow
Paul Cezanne (French, 1839–1906) — The Brook
Emil Carlsen (American, born Denmark, 1848–1932) — Wood Inte
Jean Baptiste Armand Guillaumin — Mill of Pont Maupuit
Carl Wagner — Landscape with cattle in Weißbach on the Rhön
Claude Monet — The Petite Creuse River
William Stanley Haseltine (American, 1835–1900) — Traunstein
John La Farge — Snow Field, Morning, Roxbury