Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
This lyrical drawing on brilliant blue paper was done on a trip to Italy, where George Inness made a series of watercolor sketches of the Italian countryside in the vicinity of Albano. In contrast to the precision of his earlier Hudson River school paintings, in the early 1870s his work achieved a new freedom. This drawing is reminiscent of a classical Italian landscape, illustrating a broad expanse with a road winding through an Italian village, complete with framing trees in the foreground and ancient fortifications in the background. Inness made this drawing by applying wet washes one on top of another, intentionally creating a blurred effect, like that of a memory from the distant past.
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Henri-Joseph Harpignies — Landscape
Henri-Joseph Harpignies — View from the Ramparts at Chartres
Christoph Nathe (German, 1753–1806) — Farmhouse behind Trees
Louis-Antoine-Léon Riesener — Trees Beside a Pond
George Richmond — Study of a Tree
William Callow — Château de Lourdes
Paul Sandby — Travelers Entering a Town
Seated Figure by a Lake
William Henry Hunt — Cottages in an Extensive Landscape
Anonymous, French, 18th century|Jean Michel Moreau the Young