Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Eadweard J. Muybridge initially used horses to capture motion as separate slices of time faster than the human eye could perceive them, then moved on to study other animal and human movements. Everyday activities, like emptying a bucket of water, were broken down and sequenced back-to-back. This series was commissioned by the University of Pennsylvania and intended to diagnose dysfunction in human movement by allowing each consecutive action to be studied in isolation. The university’s desire for distribution called for the use of collotype. The process had been recently improved to the point where editions of up to 1,000 were possible, making it an attractive option for publishers.
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Eadweard Muybridge|The Photo-Gravure Company — [Horse and Ri
André-Adolphe-Eugène Disdéri — The Juggler Manoel
André-Adolphe-Eugène Disdéri — Eugénie Schlosser dans Gracio
André-Adolphe-Eugène Disdéri — Eugénie Schlosser et Coralli
André-Adolphe-Eugène Disdéri — Mechesinski [?]
André-Adolphe-Eugène Disdéri — Genty; Ghibert
Eadweard Muybridge|The Photo-Gravure Company — [Woman Openin
Eadweard Muybridge — Attitudes of Animals in Motion
Acrobat, from the Actresses series (N664) promoting Old Fash
André-Adolphe-Eugène Disdéri — Mlle Savel
André-Adolphe-Eugène Disdéri — Eugénie Schlosser et Coralli
Eadweard Muybridge|The Photo-Gravure Company — [Boys Playing