Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Jean-Baptiste Mallet was a painter and printmaker who specialized in small, elegant gouaches (opaque watercolors) of enigmatic subjects, such as this. Arranged like an implausible stage set, a monk-like character and an old man wearing a Phrygian cap appear to reprimand a largely female family who must have fallen on tough times, given that their handsome carpet and ornamental birdcage decorate a rusticated farm building.
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Adriaen van Ostade — Strolling Violinist at an Ale House Doo
Pierre-Antoine Baudouin (French, 1723-) — The Surprised Love
Charles Émile Jacque — Scullery Maid
William Hogarth — A Harlot's Progress, Plate 1
Philibert Louis Debucourt — The Night at the Chateau
Joseph Nash — Scene with Family and Guest in Seventeenth-cen
Jean-Baptiste Greuze — The Marriage Contract
Johann Christoph Erhard — The Jewish Family Sitting Around t
Giorgio Giacoboni — Rustic Scene: Men, Women and Children R
Jean Honoré Fragonard — Roman Interior
Antoine Cécile Hortense Haudebourt-Lescot (French, 1784–1845
Ignatii Stepanovich Shchedrovskii — Scenes from Russian Folk