Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
David d'Angers aimed to create a series of portraits in sculpture that would capture all of the outstanding men and women of his time. This drawing relates to a medallion portrait of the writer George Sand, the pseudonym adopted by a woman named Amandine-Aurore-Lucile Dupin so that she could publish her work. David d'Angers captured his sitter's independence sympathetically, as she stares forward and upward, as if seen in thought.
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Thomas Couture (French, 1815–1879) — Head of a Woman (verso)
Octave Tassaert (French, 1800–1874) — Portrait of a Young Wo
Jean-Léon Gérôme (French, 1824–1904) — Portrait Head of a Wo
Jean Auguste Dominique Ingres — Portrait of Madame Paul Meur
Fanny Eaton (née Antwistle/Entwistle)|Simeon Solomon — Fanny
Allan Ramsay — A Country Girl at Surrentum, Italy
Alphonse-Henri Périn — Head of an Angel
Paul Flandrin — Saint Agatha
Pompeo Batoni — Kop van een oude vrouw
Giovanni Battista Piazzetta (Italian, 1682–1754) — Head of a
Théodore Chassériau — Portrait of Madame Ravaisson
Jean Auguste Dominique Ingres — Study for "Raphael and the F
