Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
David d'Angers aimed to create a series of portraits in sculpture that would capture all of the outstanding men and women of his time. This drawing relates to a medallion portrait of the writer George Sand, the pseudonym adopted by a woman named Amandine-Aurore-Lucile Dupin so that she could publish her work. David d'Angers captured his sitter's independence sympathetically, as she stares forward and upward, as if seen in thought.
Be the first to share your thoughts.
Sign in to join the discussion.
John Downman — Bust of Roman Matron
Sir Edward Burne-Jones — Woman's Head in Profile to Left
John Downman — Bust of Faustina
Thomas Couture (French, 1815–1879) — Head of a Woman (verso)
Octave Tassaert (French, 1800–1874) — Portrait of a Young Wo
Jean-Léon Gérôme (French, 1824–1904) — Portrait Head of a Wo
Jean Auguste Dominique Ingres — Portrait of Madame Paul Meur
Fanny Eaton (née Antwistle/Entwistle)|Simeon Solomon — Fanny
Allan Ramsay — A Country Girl at Surrentum, Italy
Pierre Puvis de Chavannes — Head of a Woman
Alphonse-Henri Périn — Head of an Angel
Sir Edward Burne-Jones — Head of a Woman with Face Upturned