Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Hans Holbein’s famous Dance of Death woodcut series of 1538 (augmented in 1545) illustrated the medieval trope of the inescapability of mortality, regardless of one’s social rank or piety. These later etched copies by Hollar (1920.2251 and 1920.2259) capture the flavor of the original, showing a Landsknecht at two customary activities: hoisting his two-handed sword on the battlefield and gambling indoors. The fact that the soldier’s opponent in both cases is Death personified does not bode well for his chances.
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Portrait of Albrecht Dürer, at the age of 26
Head of a Young Black Boy in Profile to the Right
Portrait of Pietro Aretino
Woman with dark hair and a bow in profile to the left
Woman with houpette on forehead turned to left
Woman with circular lace ruff
The Seasons
Unus Americanus ex Virginia (An American from Virginia)
Hans Holbein the Younger|Wenceslaus Hollar — The Gamesters,
Virgil Solis — Two men and a woman playing cards at a table,
Jan van Vliet — The Game of Cards
Hans Holbein the Younger|Wenceslaus Hollar — The Miser, from
Jacques Callot|Domenico Cresti Passignano — The Martyrdom of
Master PVL
Dutch, active early 16th century — Men Playing a
Willem van Swanenburgh — Death with an Arrow About to Strike
Crispijn van de Passe, I — The Son Wasting his Heritage with
Jan Lievens — Death and Card Players
Albrecht Altdorfer — Christ Before Pilate, from The Fall and
Léonard Limosin — The Last Supper
Hans Burgkmair|Jost de Negker|Marx Treitz-Sauerwein von Ehre