Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
A Bad Night is from Los Caprichos (Caprices), a set of 80 prints that satirize the vices and follies of contemporary Spanish society. Goya explored the themes of superstition and sensuality, greed and violence, and immorality and deceit practiced by men and women who appear alternately as aggressors and victims. He parodied ignorance and stupidity as well as the corruption of the church and government. Goya exploited aquatint to create a dramatic contrast of light and shade through the biting and burnishing of richly textured or velvet-smooth aquatint grains. He thus expressed the opposing forces of enlightenment and ignorance, reason and the irrational world, and suggested an atmosphere of violence and doom, best illustrated in the trial proofs like this one, printed before the first edition.
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Goya (Francisco de Goya y Lucientes) — Plate 36 from 'Los Ca
Goya (Francisco de Goya y Lucientes) — Plate 36 from "Los Ca
Goya (Francisco de Goya y Lucientes) — Plate 36 from "Los Ca
Goya (Francisco de Goya y Lucientes) — Plate 8 from "Los Cap
Goya (Francisco de Goya y Lucientes) — Figures waking from s
Goya (Francisco de Goya y Lucientes) — 'Folly of Fear' from
Goya (Francisco de Goya y Lucientes) — Plate 4 from "The Dis
Goya (Francisco de Goya y Lucientes) — 'Disorderly Folly' fr
Goya (Francisco de Goya y Lucientes) — 'The Exhortations' fr
Goya (Francisco de Goya y Lucientes) — Plate 26 from "The D
Goya (Francisco de Goya y Lucientes) — Plate 17 from 'Los Ca
Goya (Francisco de Goya y Lucientes) — 'Funereal Folly' from