Jean Honoré Fragonard

St. Jerome

n.d.
Etching on ivory laid paper
15.3 × 10.5 cm (6 × 4.1 in)

SEE IT IN PERSON

Not currently on view

In the collection of Art Institute of Chicago, Chicago · as of July 2026

View at artic.eduPlan a visit ↗

Discussion

FROM THE ART INSTITUTE OF CHICAGO’S CATALOG

Fragonard traveled a great deal during his career, and always took the opportunity to copy images from the paintings and sculptures he saw. This etching shows the influence of the Baroque artist Johann Lys. The fine network of lines used by Fragonard, however, reflects his own exquisite drawing style rather than the blustery brush­strokes found in oil paintings such as Lys' s.

Source ↗

Be the first to share your thoughts.

Sign in to join the discussion.

Community guidelines

More by Jean Honoré Fragonard

Portrait of a Man in CostumePortrait of a Man in CostumePortrait of a Young WomanPortrait of a Young WomanMarie Emilie Coignet de Courson (1716–1806) with a DogMarie Emilie Coignet de Courson (1716–1806) with a DogThe Two SistersThe Two SistersThe CascadeThe CascadeA Shaded AvenueA Shaded AvenueThe Stolen KissThe Stolen KissRoman InteriorRoman Interior

More like this

The Vision of Saint JeromeJean Honoré Fragonard|Johann Liss — The Vision of Saint JeroThe Vision of Saint JeromeJean Honoré Fragonard|Johann Liss — The Vision of Saint JeroHercules and OmphaleJohann Heinrich Tischbein, I — Hercules and OmphaleThe Rearing of Satyrs' ChildrenMartin Johann Schmidt — The Rearing of Satyrs' ChildrenVenus stopping loveCharles Antoine Coypel — Venus stopping loveHeavenly Ganymede, from Specimens of PolyautographyHenry Fuseli — Heavenly Ganymede, from Specimens of PolyautoAriadne, Cupid and BacchusFrancesco Bartolozzi|Giovanni Battista Cipriani — Ariadne, CSaint JeromeJean-Honoré Fragonard (French, 1732–1806) — Saint JeromeYouth with two Old MenAnonymous, Italian, 17th century|Parmigianino (Girolamo FranThe Seated Nymph (Une fontaine avec une naïade assise sur une conque)Jean-Baptiste Marie Pierre — The Seated Nymph (Une fontaine Vignette (Tome I.er, page 164, lib. II, fab. 15), depicting Cephalus and Aurora, from "Les Métamorphoses d'Ovide en Latin et en François de la traduction de M. l'Abbé Banier de l'Académie Royale des Inscriptions et Belles-Lettres. Avec des explications historiques. A Paris Chez Despilly rue saint Jacques à la croix d'or. MDCCLXVII. Avec Approbation et Privilège du Roi"François Boucher|Augustin de Saint-Aubin|Ovid|Abbé Banier|ChDiana at the BathCharles Michel Ange Challe — Diana at the Bath