● On view now — Galleries 231-233
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Goldsmith Josef Moser designed this monstrance as a metaphor for Christ’s sacrifice. The base forms a sacrificial pyre for burnt offerings, which emit a heavenly vision of golden smoke, clouds, and light. At the summit God the Father gives his blessing, with the dove of the Holy Spirit below. A bejeweled glass vessel at the center would have held Christ, the Son, embodied as the consecrated bread of the Eucharist, replacing the burnt offerings of old. With the Eucharist placed inside, the monstrance provided the Catholic faithful—who believe the bread transforms into the very being of God—a focus for adoration and prayer.
Be the first to share your thoughts.
Sign in to join the discussion.
Johannes de Nusco — Monstrance
German, probably Brunswick (Braunschweig) — Altar Cross
German; probably Brunswick ( Braunschweig) — Reliquary Monst
anonymous — Monstrance from De Toren clandestine church
Florentine — Corpus and Superscription Plaque
Leandro Gagliardi — Cross with Corpus
Probably German — Christ on the Cross with the Virgin and Sa
Anonymous — Design for a Monstrance
Lambertus Hannosset — Ciborie
Weddeghe Velstede — Reliquary Monstrance with a Tooth of Sai
Spanish — Double-Sided Crucifix Pendant
Pietro di Francesco Orioli — Processional Crucifix