Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
In contrast to the wild man, woman, and child seen nearby (1956.917 and 1944.608), this engraving portrays a member of civilization. Only virgins were said to be able to attract and tame unicorns; by including the mythical beast in the shield, Schongauer emphasized the subject’s purity. Later Northern European artists such as Albrecht Dürer would frequently feature this type of grassy bench in depictions of tender moments between the Virgin Mary and Christ Child.
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Hans Baldung Grien — Saint Catherine
Crispijn van de Passe, I — Polymnia, from The Muses
Martin Schongauer (German, c. 1450–1491) — The First Wise Vi
Albrecht Dürer — The Virgin and Child Crowned by Two Angels
Hans Sebald Beham — Misfortune
Albrecht Dürer (German, 1471–1528) — The Virgin on a Crescen
Master E.S. — The Letter B, from The Alphabet
Albrecht Dürer (German, 1471–1528) — The Life of the Virgin
Jan Wierix — Madonna Crowned by Two Angels
Etienne Delaune (French, 1518/19-c. 1583) — Combats and Triu
Master MZ (German) — St. Ursula
Hans Sebald Beham — Misfortune