● On view now — Gallery 236
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
This plaque—the finest example of medieval enameling in the Art Institute’s collection—most likely formed the right half of an arch on a reliquary shrine. The bishop represented here holds a model of a church that he has had constructed in his covered right hand, symbolizing the sacred nature of this gift to God. Due to its refined style, scholars have drawn comparisons between this plaque and those of the famous Klosterneuburg retable, which was produced by the artist Nicholas of Verdun in 1181. It has also been suggested that this plaque depicts Archbishop Bruno of Cologne (921–965) holding a model of the Church of Saint Pantaleon in that city. At the very least, it is a remarkable example of the virtuosity of goldsmiths working for wealthy ecclesiastical foundations in the valleys of the Rhine and Meuse rivers during this era.
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Salomon Weininger — Figure of Saint Paul
German — Saint Bartholomew
anonymous — Badge of the Guild of Saint George in Breda
Italy — Orphrey Band
French; Limoges — Agnus Dei
French; Limoges — Plaques from a Reliquary Casket with the M
Tomb Effigy of Jacquelin de Ferrière
French; Limoges — Reliquary Casket
Nevers, France — Bishop
German; Rhineland — Shaft of a Column
Robert Dieu — Cruciform Watch
Leandro Gagliardi — Saint Peter