● On view now — Gallery 211
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
In this elaborate allegory of the universal human emotion of melancholy, the paintbrushes, palette, and small sculpture in the bottom right reference the painter’s profession; and the hourglass, book, and compass represent other worldly pursuits. Domenico Fetti also included an armillary sphere and telescope in the background on the left to reflect the scientific interests of his patron Ferdinando Gonzaga’s court in Mantua. These interests are further exemplified by the large, bluish sphere in the foreground illustrating the topography of the moon as had been observed only recently by Galileo. Yet despite the achievements signified by the earthly objects whose value is fleeting, the figure of Melancholia contemplates a skull and the inevitability of death.
Be the first to share your thoughts.
Sign in to join the discussion.
Domenico Fetti|Henri Simon Thomassin — Allegory on Melanchol
Domenico Fetti|Henri Simon Thomassin — Allegory on Melanchol
Simon Vouet (French, 1590–1649) — Saint Mary Magdalen
Mateo Cerezo (II) — De boetevaardige Maria Magdalena
Willem van Mieris — Allegory of Transience
Corrado Giaquinto — The Penitent Magdalen
Paulus Bor — The Disillusioned Medea
Paolo Veronese (Paolo Caliari) — Saint Catherine of Alexandr
Hendrick ter Brugghen (Dutch, 1588–1629) — Saint Jerome
Jacob Jordaens — The Temptation of the Magdalene
Domenico Guidobono — An Allegory
Bernardo Strozzi (Italian, 1581?-1644) — Allegorical Figure