Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Jacques De Gheyn II employed a stylized graphic language of hatching and cross-hatching to capture the individual features and garments of the figures represented here, which include a woman shown from two vantage points and a young boy. The artist used iron gall ink made from the protective growth an oak tree produces after a wasp lays its eggs inside the tree branch. The ink is deep brown and almost black in some areas. Because iron gall ink contains a high concentration of tannic acid, however, it dissolves paper over time. Above the right foot of the Roma woman the damaged paper was repaired. On several occasions De Gheyn represented figures from the Roma or Romani community, itinerant members of Dutch society whose origins can be traced to northern India. Often finding shelter at the outskirts of cities, the Roma frequently took up informal trades like peddling and fortune telling.
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Group of Six Children (recto)
Rembrandt (Rembrandt van Rijn)|Nicolaes Maes — Studies of Tw
Adriaen van Ostade — Peasant With His Hand In His Cloak
Jacques Callot (French, 1592–1635) — The Beggars: A Mother a
Jacques Callot — La Mendiante Venant de Recevoir la Charité
Rembrandt van Rijn — Beggar in a High Cap, Standing and Lean
Rembrandt van Rijn — Peasant Family on the Tramp
Rembrandt (Rembrandt van Rijn) — Peasant Family on the Tramp
François Boucher|Abraham Bloemaert — Sheet of Sketches
Jacques Callot (French, 1592–1635) — The Beggars: Beggar Wom
Jacques Callot — La Mendiante Venant de Recevoir la Charité
Adriaen van Ostade — Two Gossips