In the collection of Barnes Foundation, Philadelphia — check current display status with the museum.
FROM THE BARNES FOUNDATION’S CATALOG
Little is known about the American artist Susan Cray, but her use of cut black-coated paper mounted on a cream-colored background recalls the tradition of cut-paper silhouettes that first emerged in Europe in the 1700s. This scene shows rural New Jersey. To the left, a hunter and his dog trail after a deer and rabbit; at right, a family crosses a bridge over a waterfall and approaches their home. In mid-19th-century America, the cult of domesticity upheld nature and the home as refuges from the modern industrial world, places where spiritual values could be cultivated.
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Eugène Cicéri — Design for a Stage Set
Eugène Cicéri — Design for a Stage Set at the Opéra, Paris
Charles-François Daubigny — The Deer Pond
Hendrik Gerrit ten Cate — Deer under Beech Trees in Summer
Jean Jacques de Boissieu — Entrance to the Forest of Fontain
Anthonie Waterloo — Wooded Landscape
Eugène Cicéri — Design for a Stage Set
Charles François Daubigny (French, 1817–1878) — The Pool wit
Joseph Anton Koch (Austrian, 1768–1839) — The Grindelwald Gl
Eugène Cicéri — Design for a Stage Set at the Opéra, Paris
Georges Michel — Bomen in een weiland
Charles Jacque — Landscape