Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
In this dynamic drawing, Utrecht-based Abraham Bloemaert created a thoughtful compositional study for this scene from the early life of Christ. Bloemaert described the Virgin and the attendant figures in the foreground with expressive gestures—fingers spread and arms outstretched into space as if in an attempt to stop the circumcision taking place before them. A mass of faintly sketched figures in the background suggests how Bloemaert might have realized the composition in his next phase of execution.
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Bernardo Castello (Italian, 1557–1629) — Illustration from T
Domenico Campagnola — Christ in the House of Simon the Phari
Joos van Winghe — Allegory of Wealth, Lust and Stupidity
Agostino Carracci — Adoration of the Shepherds
Jean Baptiste Huet — Study for The Last Supper
Giovanni Battista Tiepolo (Italian, 1696–1770) — The Adorati
Domenico Beccafumi, called Il Mecarino — Four Evangelists
Annibale Carracci|Anonymous — Saint Roch at right distributi
Ciro Ferri — Circumcision
Anonymous, Italian, Roman-Bolognese, 17th century — Scene of
Giovanni Battista Tinti — Suffer the Little Children to Come
Hans Georg Asam — Christ at Emmaus