In the collection of Barnes Foundation, Philadelphia — check current display status with the museum.
FROM THE BARNES FOUNDATION’S CATALOG
This picture is unusual in Cézanne's oeuvre for its specific literary subject matter. It represents the story from Ovid's Metamorphoses in which Zeus disguises himself as a swan to seduce Leda, the daughter of King Thestius. This is certainly one of the artist's more overtly sensual paintings: Leda displays herself for the viewer, hip curving dramatically and cheeks flushed, while the swan's beak wraps around her wrist as if taking possession of her. Cézanne made two drawings in preparation for the painting, one of which shows the figure holding a champagne flute.
Be the first to share your thoughts.
Sign in to join the discussion.
The Village of L'Estaque Seen from the Sea (Le village de l'
River Bend (Coin de rivière)
Auvers, Panoramic View
Two and a Half Apples (Deux pommes et demie)
The Bellevue Plain / The Red Earth (La plaine de Bellevue /
Madame Cézanne (Hortense Fiquet, 1850–1922) in the Conservat
The Fishermen (Fantastic Scene)
Autumn Landscape (Paysage d'automne)
Henri Matisse — Nude with Blue Necklace (Nu au collier bleu)
Henri Matisse — Reclining Odalisque (Nu étendu)
Jules Pascin — Two Nudes–One Standing, One Sitting
Jules Pascin — Nude
Henri Matisse — Moorish Woman (The Raised Knee) [Femme maure
Jules Pascin — Nude Seated on Hassock (Nu assis sur un pouf)
Jules Pascin — Standing Nude in the Studio (Nu debout à l'at
Henri Matisse — Reclining Nude with Blue Eyes (Nu couché aux
John Sloan — Nude, Green Scarf
André Derain — Nude
Pierre-Auguste Renoir — Bather (Baigneuse)
Pierre-Auguste Renoir — After the Bath (La Sortie du bain)