Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
This portrait had been thought to date about 1570, when Anna Maria of Austria married King Phillip II of Spain. It is likely, however, this refined intaglio image was carved after a contemporary painting but in the nineteenth century. The frame executed in a delicate process known as émail en résille sur verre emulated a seventeenth-century technique but was certainly done in the nineteenth century.
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Head of a Woman
Altarpiece from Thuison-les-Abbeville: Saint Hugh of Lincoln
Panels from the High Altar of the Charterhouse of Saint-Hono
Portrait of a Young Man
Altarpiece from Thuison-les-Abbeville: Saint Honoré
Altarpiece from Thuison-les-Abbeville: The Ascension
Panels from the High Altar of the Charterhouse of Saint-Hono
The Nymph of Fontainebleau
Wedgwood Manufactory — Cameo with Head of a Woman
anonymous — Medaillon met de H. Helena met kruis en keizersk
Wedgwood Manufactory — George Washington
Wedgwood Manufactory — Cameo with Head of a Woman
Italian — Double-Sided Pendant with the Virgin and Christ
Northern European — Pendant with the Bust of a Woman
Wedgwood Manufactory — Cameo with Head of a Man
Spanish — Pendant
Wedgwood Manufactory — Plaque with Portrait of Mrs. William
Wedgwood Manufactory — Cameo with Portrait of Maria I of Por
Ancient Roman — Cameo Portraying Tiberius
Wedgwood Manufactory — Cameo Locket