Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Andrea Mantegna’s Battle of the Sea Gods may be the first print with a unified composition occupying more than one sheet. Unlike the Andrea Andreani Triumph of Caesar (1926.452.2–9) and the engravings after the same Mantegna paintings by his own workshop, this mythological frieze has only one seam and no disguising columns. Albrecht Dürer drew a copy of the right half of the frieze in 1494, already establishing the seminal importance of the work in the Renaissance.
Be the first to share your thoughts.
Sign in to join the discussion.
Andrea Mantegna (Italian, about 1431–1506) — Battle of the S
Daniel Hopfer (German, c. 1470–1536) — Two Tritons fighting
Andrea Mantegna (Italian, about 1431–1506) — Battle of the S
Giovanni Battista Palumba — A triton family in the sea, with
Giulio Bonasone — Neptune in his Chariot being drawn by seah
Giulio Bonasone — Hercules fight adragon in the centre, Ache
Raphael (Raffaello Sanzio or Santi)|Marco Dente — Venus and
Marco Dente|Antonio Salamanca|Raphael (Raffaello Sanzio or S
Albrecht Altdorfer — Arion and a Nereid
Jacques de Gheyn, III — Triton Blowing on a Conch
Giovanni Marco Paluzzi|Marco Dente|Raphael (Raffaello Sanzio
Marco Dente|Raphael (Raffaello Sanzio or Santi)|Giovanni Mar