Vienna, Austria

Armchair

1820–25
Walnut, walnut veneers, and poplar; modern upholstery
71.2 × 73.1 cm (28 × 28.8 in)

SEE IT IN PERSON

● On view now — Galleries 231-233

Art Institute of Chicago, Chicago · verified July 2026

View at artic.eduPlan a visit ↗

Discussion

FROM THE ART INSTITUTE OF CHICAGO’S CATALOG

In the years following the Napoleonic Wars, Austria played a crucial role in maintaining Europe’s political stability. Its conservative government suppressed political activism among the middle classes, encouraging them to focus instead on domestic comfort and family life. In response Vienna’s furniture makers adapted the grand Neoclassicism of earlier decades into a simpler, more modest style suited to middle-class use. Named after the fictional character Gottlieb Biedermeier— Bieder is German for “plain”—the style promoted simple shapes, unadorned surfaces, and practical elegance, making it accessible to nonaristocratic households and symbolic of the era’s emphasis on modesty and domestic tranquility.

Source ↗

Be the first to share your thoughts.

Sign in to join the discussion.

Community guidelines

More by Vienna, Austria

Box: Sacrifice of VenusBox: Sacrifice of VenusFall-Front DeskFall-Front DeskTraveling NecessaireTraveling NecessaireGlobe-Shaped Work TableGlobe-Shaped Work TableSnuff Box: Portrait of Tsar Alexander ISnuff Box: Portrait of Tsar Alexander ISnuff BoxSnuff BoxWatchWatchSnuff BoxSnuff Box

More like this

ChairUnknown — ChairChairThomas Hope — ChairSide Chair (one of two)England — Side Chair (one of two)Armchair with Tablet: Putti DrawingAttributed to John Gee English, 1765-1824 London, England — Pair of Side ChairsArtist unknown — Pair of Side ChairsPair of Side ChairsArtist unknown — Pair of Side ChairsSide ChairArtist unknown — Side ChairArmchairGeorges Jacob — ArmchairSide ChairArtist unknown — Side ChairArmchairA. H. Davenport & Company — ArmchairArmchairArtist unknown — ArmchairSide ChairGeorge Trask — Side Chair