● On view now — Galleries 231-233
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
In the years following the Napoleonic Wars, Austria played a crucial role in maintaining Europe’s political stability. Its conservative government suppressed political activism among the middle classes, encouraging them to focus instead on domestic comfort and family life. In response Vienna’s furniture makers adapted the grand Neoclassicism of earlier decades into a simpler, more modest style suited to middle-class use. Named after the fictional character Gottlieb Biedermeier— Bieder is German for “plain”—the style promoted simple shapes, unadorned surfaces, and practical elegance, making it accessible to nonaristocratic households and symbolic of the era’s emphasis on modesty and domestic tranquility.
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Unknown — Chair
Thomas Hope — Chair
England — Side Chair (one of two)
Attributed to John Gee
English, 1765-1824
London, England —
Artist unknown — Pair of Side Chairs
Artist unknown — Pair of Side Chairs
Artist unknown — Side Chair
Georges Jacob — Armchair
Artist unknown — Side Chair
A. H. Davenport & Company — Armchair
Artist unknown — Armchair
George Trask — Side Chair