Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Initially unattributed, this drawing was owned by the renowned Italian drawings scholar Philip Pouncey, who found it was a study for the central fresco executed by Bernardino Campi in the dome of San Sigismondo in Cremona between 1567 and 1570. Born in Cremona and trained in Mantua and Milan, Campi must have recalled the ceiling frescoes of Michelangelo and Correggio in his powerful evocation of God the Father.
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Federico Zuccaro (Zuccari) — God the Father
Anonymous, Spanish, School of Seville, 17th century — Awe-st
Benedetto Luti — Saint Benedict on a Bed of Thorns
Circle of Domenico Piola — Iris
Guercino (Giovanni Francesco Barbieri) — Seated Old Man with
Faun of sater, zittend naar rechts
Pietro da Cortona (Pietro Berrettini) — A Wind God
Pomarancio (Cristoforo Roncalli) — God the Father
Guillaume Courtois — Study for God the Father
Follower of Charles Le Brun — Neptune
Peter Paul Rubens (Flemish, 1577–1640) — Venus Disarming Mar
Niccolò Vicentino|Raphael (Raffaello Sanzio or Santi)|Andrea