Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
For centuries printmaking has been used as a tool for religious propaganda, spreading images of idolized figures to followers across the world for use in daily ritual. Jan Visscher’s posthumous portrait of the Belgian Cardinal Zacharias de Mez appears in an early, unlettered proof state and lacks all identifying features beyond his coat of arms. While he maintains a challenging, omniscient gaze, he is more recognizable to the masses as a religious figure through his miter, robe, and crucifix.
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Cornelis Visscher — Philip Roveen
Anthony van Dyck|Bishop Jan van Malderen|Wenceslaus Hollar —
Robert Nanteuil|Philippe de Champaigne — Victor Bouthillier
Charles Meryon — Portrait of Pierre Nivelle, Bishop of Luçon
Gerard Edelinck (French, 1640–1707) — Cardinal Arnaud d'Ossa
Aegidius Sadeler, II — Franz von Dietrichstein, Bishop of Ol
Antoine Masson — François Rouxel de Medavy, Archbishop of Ro
Robert Nanteuil — Cardinal Mazarin
Cornelis Visscher — Johannes Wachterlaer
Robert Nanteuil — Francois Servien
Claude Mellan|François de Villemontée — François de Villemon
Robert Nanteuil — Cardinal Jules Mazarin