● On view now — Gallery 239
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Intended purely for spectacle, parade armor represented the pinnacle of the armorer’s art. This fragmentary gauntlet for the right hand was part of such a harness. The workshop of Lucio Piccinino produced several similar commissions for various dukes and princes of the Habsburg court. The work of several craftsmen, this gauntlet merges the arts of armoring and goldsmithing. Here the technique of gold-and-silver overlay is combined with embossing—pushing the thin steel from both inside and out. With its riot of classical ornament, including grotesque figures, fruit garlands, and trophies of arms, the decoration reflects the prevailing artistic taste, known as Mannerism, at the end of the 16th century.
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Northern Italian, Milan — Fingered Gauntlet for the Right Ha
Anton Peffenhauser — Gauntlet from a Tournament Garniture of
Northern Italian, Milan — Fingered Gauntlet for the Left Han
South German; probably Augsburg — Shaffron
Jörg Seusenhofer — Mitten Gauntlet for the Right Hand
Flemish — Mitten Gauntlet for the Right Hand
German or Austrian, possibly Innsbruck — Fingered Gauntlet f
Southern German, probably Nuremberg — Mitten Gauntlet for th
Italian — Poll Plate of a Shaffron
German — Demi Shaffron
Northern Italian — Fingered Gauntlet for the Left Hand
Italian; Milan — Demi Shaffron of an Infantry Garniture