Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
In this small but powerful ink and wash drawing, Granet depicts a mysterious procession of monks moving from darkness to light up a vaulted stone staircase as monumental as it is stark. The scene’s enigmatic subject matter and gothic mood place this work in the aesthetic category of the sublime, defined in the late 1700s as a kind of “delightful horror.” The sublime was an alternative to the search for ideal beauty that characterized the more classically inspired art of the period with its emphasis on moralizing and exemplary history.
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Homage to a Bishop
View in the Stables of the Villa of Maecenas, Tivoli
The Choir of the Capuchin Church in Rome
Monks in the Cloister of the Church of Gesù e Maria, Rome
Ponte San Rocco and Waterfalls, Tivoli
A Cardinal Examining a Painting in a Cloister
The Monks
The Church of the Trinità dei Monti and the Villa Medici, Ro
Joseph Pennell — Entrance to Zocodover, Toledo
Mauro Berti — Framed Design for a Stage Set.
Hendrik Voogd — Ruined Vault
Unknown Artist
possibly British, 19th century — Staircase...
Joseph Mallord William Turner|Giovanni Battista Piranesi — "
Johannes Bosboom — Southern aisle of the Great Church at The
Giacomo Guardi|Francesco Guardi — A Colonnade, Partly Ruined
Louis Jean Desprez — Stage Design
Otto H. Bacher (American, 1856–1909) — Interior of St. Mark'
Charles François Eustache — Egyptian Street Scene
Louis Conrad Rosenberg (American, 1890–1983) — Mosque of Sul
Mauro Berti — Framed Design for a Stage Set with Arches, Sta