In the collection of Cleveland Museum of Art, Cleveland — check current display status with the museum.
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
The man in this image resembles one of Ernst Ludwig Kirchner’s close friends, Hugo Biallowons, who was killed in World War I shortly after this print was made. Kirchner depicted the man in a cramped space next to a nude woman who reaches for him without making eye contact. The yellow paper suggests artificial light. Kirchner owned one large lithographic stone, from which he made one lithograph after another simply by sanding down the stone, and then starting again with a new composition. This resulted in very small editions. By spreading water mixed with turpentine over the surface of the stone to loosen the lithographic crayon, he created unexpected and spontaneous results, seen here in the grainy and broken lines.
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Henri de Toulouse-Lautrec (French, 1864–1901) — Lender and B
James McNeill Whistler (American, 1834–1903) — The Toilet
Edvard Munch — The Human Mountain: Two Graces
Lovis Corinth — Porträtstudie von Erich Goeritz und seiner F
Piet Mondrian — Images of torsos
Wilhelm Lehmbruck — Head of a Woman (Kopf Groß)
Henri de Toulouse-Lautrec (French, 1864–1901) — Cassive
Émile Bernard — Breton Women with Parasols
Egon Schiele — Sorrow
Ferdinand Hodler — Schreitender weiblicher Akt, Kopfstudie
Edvard Munch — New Rays
Rik Wouters — Standing Female Nude
