Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
In his portfolio of eight enigmatic color lithographs, Hymn to Creation , Charles Dulac described canals, pools, forests, and storm-tossed trees in a highly personal, visual language. He concentrated on mood rather than on detail, taking the Symbolist liberty of idealizing nature without deforming it. Rather than capturing the fleeting effects of light or weather, as the Impressionists did, Dulac focused instead on momentary emotions. His landscape is a landscape of the mind.
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Mariano Fortuny (Spanish, 1838–1874) — The Anchorite
Jean Baptiste Camille Corot — The Thinker
Ernest Haskell (American, 1876–1925) — The Ostrich
Francis Seymour Haden (British, 1818–1910) — Winchelsea Cana
Louis Auguste Lepère — Beautiful Autumn Morning
Félix Hilaire Buhot (French, 1847–1898) — The Cliff: Bay of
Alphonse Legros (French, 1837–1911) — Le Petit Pont
Ernest Haskell (American, 1876–1925) — Night - California Hi
Stephen Parrish — On the Schroon — Evening
Alphonse Legros (French, 1837–1911) — The Abbey Farm
Ernest Haskell (American, 1876–1925) — El Toro
Francis Seymour Haden (British, 1818–1910) — Winchelsea Cana