Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
In his portfolio of eight enigmatic color lithographs, Hymn to Creation , Charles Dulac described canals, pools, forests, and storm-tossed trees in a highly personal, visual language. He concentrated on mood rather than on detail, taking the Symbolist liberty of idealizing nature without deforming it. Rather than capturing the fleeting effects of light or weather, as the Impressionists did, Dulac focused instead on momentary emotions. His landscape is a landscape of the mind.
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Mariano Fortuny (Spanish, 1838–1874) — The Anchorite
Ernest Haskell (American, 1876–1925) — The Ostrich
Francis Seymour Haden (British, 1818–1910) — Winchelsea Cana
Félix Hilaire Buhot (French, 1847–1898) — The Cliff: Bay of 
Alphonse Legros (French, 1837–1911) — Le Petit Pont
Ernest Haskell (American, 1876–1925) — Night - California Hi
Alphonse Legros (French, 1837–1911) — The Abbey Farm
Ernest Haskell (American, 1876–1925) — El Toro
Francis Seymour Haden (British, 1818–1910) — Winchelsea Cana
Félix-Hilaire Buhot — The Cliff - Bay of Saint-Malo
Alphonse Legros (French, 1837–1911) — The Abbey Farm
Jean Baptiste Camille Corot (French, 1796–1875) — A Souvenir
