Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Ragamala paintings were recognized as being associated with a season and time of day. Evoking a late morning in spring, here a young woman beguiles deer from the woodlands with her music to prevent them from destroying the crops in the field. The saturated hues and romantic idealization of the scene continue idioms begun in the Mughal court that were disseminated to regional centers of patronage such as Murshidabad. The inscription at the top of this page identifies the name, ragini todi , in Arabic script, which suggests that this ragamala series was made for a Muslim patron.
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Gaudi Ragini
A heroine waiting for her lover: Vasakasajja Nayika, from th
Woman Feeding Deer: Todi Ragini, from a Ragamala
The Heroine Who Waits Anxiously for Her Absent Lover: Utka N
Maru Ragini, from a Ragamala (Garland of Melodies)
The heroine who waits anxiously for her absent lover (Utka N
Taking of the toll, Dana-Lila
Heroine with attendant and a pair of deer
Rama, Sita, and Lakshmana in the forest
Kakubha Ragini
Sita asks Rama to fetch the golden deer, from the “Shangri”