● On view now — Gallery 131
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Tang artisans delighted in observing and depicting traders and travelers from around the world who flocked to China’s major cities. Wearing a toga-like robe and knee-length pantaloons, the figurine of a dark-skinned, curly-haired young boy evokes Tang descriptions of people from “Kunlun,” – a term derived from the remote and mysterious Kunlun Mountains mentioned in ancient mythology. However, it had come to refer to people of non-Chinese origin – especially those from the southern maritime countries in Asia – during the Tang Dynasty. Clay figures similar to this one were interred in Tang tombs to serve the deceased. With raised hands and a tilted body, the figure exudes a strong sense of movement. It likely portrays a rowing scene: the small holes on the hands might have been used to attach a wooden paddle. Enslaved people of Kunlun (kunlun nu) played a significant role in various maritime operations. They provided the essential labor needed to propel ships engaged in long-distance trade.
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Japan — Seitaka Dôji
Burma (Myanmar) — Crowned and Bejewelled Buddha
Japan — Dragon King
Colima — Standing Male Figure Holding a Plate
China; probably Shaanxi province — Female Attendant (Tomb Fi
Doshi Zenzai — Zenzai Doji
India
Tamil Nadu, Thanjavur — Shaiva Saint Appar, Holding a
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Korea — Standing Buddha
Veracruz, Classic — Ballplayer Figurine
Nepal
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Tlatilco — Female Figurine