Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
One of two Piranesi engravings of the Pyramid of Cestius, this etching was published posthumously by the artist’s sons. The pyramid was essential viewing for many who undertook the Grand Tour in the 18th and 19th centuries. Constructed c. 18 b.c./c. 12 b.c. as a tomb for the powerful Roman magistrate Gaius Cestius, the marble-clad structure is reminiscent of the Roman fad for all things Egyptian. In fact, the similarity of the tomb to the pyramids of Nubia suggests that Cestius served on a military campaign in Egypt. Today Cestius’s well-preserved tomb remains Rome’s only existing ancient Egyptian-style pyramid.
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Views of Rome: Temple of Cybele
The Piazza della Rotonda, with the Pantheon and Obelisk (Ved
The Forum Romanum, or Campo Vaccino, from the Capitol, with
The Piazza Navona, Rome, above the ruins of the Circus of Do
View of the Campo Vaccino (Roman Forum with the Temple of Ca
View of the Flavian Amphitheater, called the Colosseum, from
The Forum Romanum, or Campo Vaccino, from the capitol, with
View of the Temple of Cybele in the Piazza of the Bocca dell
Jan Goeree — View of the Mons Testaceus (above) and the Pyra
Giovanni Battista Piranesi (Italian, 1720–1778) — Views of R
Pieter Moninckx — Pyramid of Cestius and the Porta San Paolo
Pierre Moreau — Imaginary Architecture with Camel and Figure
Pierre Moreau — View of a Funerary Monument and Crypt
Michiel van Overbeek (Dutch, active 1663–1709) — The Pyramid
Giovanni Battista Piranesi (Italian, 1720–1778) — Views of R
Stefano della Bella — The columns of the Temple of Antoninus
Antonio Canaletto (Italian, 1697–1768) — Views: Le Pilier i
Louis Jean Desprez — Visitors Inspecting Classical Ruins
Stefano della Bella — The Temple of Antonin and the Campo Va