Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Here Johann Theodor de Bry miniaturized Hendrick Goltzius’s rectangular engraving, which was over four times as wide. The work is sometimes called Antenor’s Wedding from its inscription, which reads, “Behold the great nuptial rites of Antenor, in the manner of the patricians of the Venetian Senate . . . Now it all can be seen and admired throughout the world.” The mythological Trojan Antenor is said to have founded Venice before Rome even existed, and the city’s unique watery setting has always been a central component of its identity and commerce. Indeed, the Venetian lagoon outside the palazzo includes covered gondolas, in which wealthy brides were customarily conveyed to their wedding ceremonies.
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Johann Theodor de Bry (German, 1561–1623) — The Venetian Bal
Abraham Bosse|Pierre Rocolet, Paris|Melchior Tavernier — Lou
Pieter de Jode II|Michael Haye — St. Bonifacius and St. Homo
Abraham Bosse|Jean I Leblond — The Prodigal Son Changes His
Jacques Callot (French, 1592–1635) — The Mysteries of the Pa
Jacob Matham — The Prodigal Son Receiving his Inheritance, f
Aegidius Sadeler, II — Adoration of the Magi
Aegidius Sadeler II|Hans von Aachen|Joris Hoefnagel — Circum
Abraham Bosse|Jean I Leblond — The Prodigal Son Changes Clot
Jacques Callot — The Last Supper, from The Small Passion
Hendrick Goltzius — Christ Before Caiaphas, plate four from
Federico Barocci|Adriaen Collaert — Christ calling Saint And