● On view now — Gallery 161
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Joshua Johnson portrayed his fashionably dressed sitter Elizabeth Beatty wearing a circlet of glass beads that accentuates her brown hair and gray eyes. The child’s clothes are equally elegant: she sports a high-waisted, white-muslin gown and holds a brightly colored strawberry, a delicacy often featured in the artist’s portraits. Johnson was the first known Black painter to gain professional recognition in the United States. Listed in the 1816 Baltimore city directory as a “free householder of Colour,” he had been freed by his enslaver (and father) around 1782 after apprenticing as a blacksmith. Described as “self-taught” in a newspaper advertisement, Johnson attracted local patrons among the city’s artisan and middle-class families.
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Charles Willson Peale — Mrs. John Nicholson (Hannah Duncan)
School of William Matthew Prior — Woman in a Blue Dress
Ezra Ames — Mrs. Noah Smith and Family
Johns — Portrait of an Old and a Young Woman
Jeptha Homer Wade (American, 1811–1890) — Sally Avery Olds
Goya (Francisco de Goya y Lucientes) — Condesa de Altamira a
John Russell — Mrs. Robert Shurlock (Henrietta Ann Jane Russ
Louis Moritz — Dubbelportret van een vrouw, waarschijnlijk J
Goya — Infanta María Luisa (1782–1824) and Her Son Carlos Lu
Thomas Sully (American, born England, 1783–1872) — Portrait