Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
As one of the nation’s most important sculptors of the Gilded Age, Frederick William MacMonnies garnered many public and private commissions at the turn of the 20th century. Bacchante with Infant Faun , however, was not created on commission. Instead, MacMonnies gave the life-size version of the bronze to his friend the architect Charles McKim. The sculpture was soon at the center of a public scandal when McKim attempted to give it to the new Boston Public Library. Some among Boston’s elite chafed at the mythical figure’s nudity and her drunken dance. MacMonnies’s naturalistic modeling—bones, muscles, and even teeth convincingly rendered—challenged Victorian sensibilities. McKim eventually gave the statue to the Metropolitan Museum of Art. Bronze reductions, such as this one, nevertheless remained popular with the public.
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Style of Andrea Riccio — Dancing Satyr
Hilaire Germain Edgar Degas — Dancer Ready to Dance, Right F
Italian — Mercury
Hilaire Germain Edgar Degas — Spanish Dance
Flemish — Aeolus and the Winds
Jean Léon Gérôme — Anacreon with the Infants Bacchus and Cup
Aimé-Jules Dalou — Bacchus Consoling Ariadne
Giovanni Gia — Draped Figure
Jean-Louis Lemoyne — The Fear of Love
Auguste Rodin — Eve after the Fall
Manifattura Ginori (Sesto Fiorentino, Italy) — The Abduction
Pierre-Auguste Renoir — Water