Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
This landscape and its companion piece, Mount Athos Carved as a Monument to Alexander the Great , reflect the late-18th-century enthusiasm for the antique, as well as the cult of sensibility that made the tomb in a landscape a favored subject for art in this period. Here Alexander, who overthrew the Persian Empire, arrives at the tomb of its founder, Cyrus the Great (590/580–c. 529 B.C.), only to find that it has been desecrated. In choosing the subjects of this pair of moralizing landscapes, Pierre-Henri de Valenciennes was doubtless suggesting the transitory nature of empire and of life itself.
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Carle (Antoine Charles Horace) Vernet — The Triumph of Aemil
Salvator Rosa — Polycrates and the Fisherman
Jacob van der Ulft — Italian harbor view
Bartholomeus Breenbergh — The Preaching of John the Baptist
Jan Baptist Weenix (Dutch, 1621–1660) — Hunters Near Ruins
Jacques Callot — The Martyrdom of Saint Sebastian
Louis Jean Desprez — Visitors Inspecting Classical Ruins
Ferdinand Bol — Salomon Receives Gifts
Claude Lorrain — View of Delphi with a Procession
Joseph Mallord William Turner — Tenth Plague of Egypt, plate
Jacques Stella — Alexander Before Highpriest
Jean Michel Moreau — The Arrival of Jean-Jacques Rousseau to