Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Curiously, Canaletto never printed either of these energetic capriccio landscapes (depictions of fantastic architecture or ruins) individually. Instead, they exist only as a pair on a single sheet (for the left half, see 1922.1381.13). While both images include fictional antiquarian architectural elements, it is not known why the artist combined them. Perhaps it was their mirrored compositions: when placed side by side, both images slope inward toward a church that straddles the margin between the plates and connects the two scenes.
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Antonio Canaletto (Italian, 1697–1768) — Views: Two Ruined
Maxime-François-Antoine Lalanne|Auguste Delâtre — Plate 2 fo
Adélaide Allou|Hubert Robert|Jean Honoré Fragonard|Pierre Fr
Jean Morin|Cornelis van Poelenburch — La Vieille Femme Assis
Charles Louis Clérisseau|Joseph Wagner — Landscape with Ruin
Herman van Swanevelt — Antique Ruins of an Amphitheater
Pierre Antoine Mongin — Regrets
Jan van de Velde, II — Landscape with Hunters and Hay-Carts,
Johann Christoph Erhard — Wood Gatherer with a Boy, plate tw
Johann Christian Reinhart (German, 1761–1847) — Heroic Lands
Jan van de Velde, II — The ‘Spaernwouder’ or ‘Amsterdamsche
Claes Jansz. Visscher|Willem Pietersz. Buytewech — The Sower