Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
The notion of the pastoral ideal is made explicit in the work of Jacque. In 1849, along with Jean-François Millet, Jacque moved to the village of Barbizon, which by then was an established artist’s colony. There he painted, drew, and etched rustic landscapes in which man and nature coexist in perfect harmony.
Be the first to share your thoughts.
Sign in to join the discussion.
Charles François Daubigny (French, 1817–1878) — Gathering in
Samuel Palmer (British, 1805–1881) — The Early Plowman
Charles François Daubigny (French, 1817–1878) — The Shower
Samuel Palmer (British, 1805–1881) — The Early Plowman
Samuel Palmer (British, 1805–1881) — The Early Plowman
Samuel Palmer (British, 1805–1881) — The Early Plowman
Charles Jacque — A Herd of Pigs
Samuel Palmer (British, 1805–1881) — The Early Ploughman
Charles Jacque|Auguste Delâtre — The Return from the Fields
Samuel Palmer (British, 1805–1881) — The Early Plowman
Charles François Daubigny (French, 1817–1878) — The Ford
Charles Jacque|Jacques-Adrien Lavieille — The Sower
