Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Although many attributions are based on visual observation, technical methods in use since the early 1900s provide material evidence that can supplement what the unassisted eye can register. In other words, investigating a work’s material composition and physical structure allows experts to base an attribution on how a work was made in addition to what it looks like. Current forms of analysis include technical imaging like beta radiography, X-ray fluorescence spectroscopy, and hyperspectral photography, as well as examination under strong magnification. Technical analysis of this drawing has found that two distinct campaigns of execution took place at different times and that two different types of ink were used. These findings support a hypothesis that the drawing was started by a member of Rembrandt’s workshop and then corrected by Rembrandt or one of the more advanced students under his supervision.
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Woman Seated on Bench and Three Sketches of Heads
Seated Male Nude (recto); Sketches of Hand and Boy'd Head (v
Abraham and Isaac before the Sacrifice
Beheading of Anabaptist Martyrs
A Hawker Showing an Animal in a Cage to a Woman and Her Chil
An Officer Holding a Ceremonial Sword
Old Woman with a Baby in her Arms
Two Studies for Blind Tobit
Claude Gillot — The Actors Making Ready (recto); Studies of
Giovanni Battista Tiepolo (Italian, 1696–1770) — The Adorati
Style of Francesco Furini — Figures Before Altar in Church (
Jan Victors — Joseph's Brothers Showing His Coat to Jacob
Federico Zuccaro (Zuccari) — Christ Preaching
Hubert François Gravelot — Study for a frontispiece for "His
Anonymous, French, 18th century — Interior with Figures
Aert de Gelder — Jacob Shown Joseph’s Blood-Stained Coat
Domenico Pozzi — Papal Audience
Giuseppe Passeri (Passari) — The Judgment of Solomon
Eugène Delacroix|William Shakespeare — Hamlet Reproaches His
Jonas Umbach — February (one of a series representing the la